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    By Bernard Darwin

    A HISTORY OF GOLF IN BRITAIN was an effort on the part of the best English writers to put out a definitive history of the game of golf in Great Britain. The best English writer, in fact the best golf writer ever, Bernard Darwin, acted as general editor of the project as well as contributing two long essays: THEN AND NOW and FROM GUTTY TO RUBBER-CORE.

    Henry Cotton is a highly intelligent analyst and instructor and wrote his own material as so few successful professionals have done. Henry Longhurst writes entertainingly and with a perspective all his own, and his chapter BETWEEN TWO WARS deals mainly with the Americans, Hagen, Jones, and Sarazen, for it was they who dominated this period of British golf. Leonard Crawley is an excellent writer; the focus in A FRESH START is mainly British; for American tastes there is some wonderful writing on the Walker Cup and Ryder Cup matches. WOMEN'S GOLF, by Enid Wilson, is a gem, dealing with the American stars as comprehensively as with the British and writing with real perception and understanding - a brilliant chapter. THE FUTURE OF THE GAME is in many ways an odd chapter, but it is the 'piece de resistence' in the book. Coming at golf from a scientific point of view, Lord Brabazon asks what it is we like about the game and how are we going to preserve what we like? The game is changing, he believes, and is in danger of leaving behind some of its most enjoyable aspects. He suggests certain innovations that stagger one by their originality and obviousness.

    Lord Brabazon of Tara When after the Second World War, Churchill wished to reward Moore-Brabazon for his extraordinary help as Minister of Aircraft Production, he recommended him for a barony. Moore-Brabazon accepted with pleasure. "To be made a Peer," he wrote, "is a great privilege because we are still a very snobbish people." That is the way Moore-Brabazon looked at things: with legendary self-honesty. He wanted Brabazon to be part of his title because the name had been enscrolled on the Battle of Hastings in 1066, but he needed an "of" because someone else already had Brabazon, so he selected "of Tara". He liked the ring of the words.

    As a young man, Lord Brabazon became in 1909 the first English aviator, i.e. the first Englishman to fly a plane in England. He was one of the major pioneers in the development of the airplane in the British Isles and, indeed, in the world. He virtually invented the art of aerial photography during World War I. He was not a politician - the deviousness necessary to survive in office was totally lacking in him - but Churchill needed him during World War II, first as minister of transport and then, following the terrifying Lord Beaverbrook, as minister of aircraft production. Beaverbrook was inspirational and singlehandedly ran every aspect of the ministry, but there was a lack of planning, which was Lord Brabazon's strong suit. He understood in his supremely practical way that no matter how many planes you were turning out, it did you no good if certain small parts were missing. You had planes but they couldn't fly. If, on the other hand, you could find out three or four months before delivery what parts were likely to be in short supply, you would then have time to correct the shortage. A great many planes began coming off the assembly lines ready to fly, and this is one of the reasons England won the Battle of Britain and turned the tide of the war.

    Eventually Lord Brabazon's lack of political skills did him in. Misquoted about England's relationship with Russia, he became a target of the trade unions, and Churchill finally had to ask him to resign in order to calm the political waters. He did so with relief and without regret.

    He learned golf when he was twenty-six and worked so diligently at the game that he got down to a scratch handicap, but he was not a really find golfer, and he knew it. He enjoyed Roger Wethered's description of him as "the best bad golfer in England". He was proudest of being elected Captain of the R. & A. in 1952-53. The Captain is inaugurated by his driving off the first tee of St. Andrews in front of a huge crowd and a group of caddies who wait for the traditional golden sovereign given to whichever of them retrieves the ball. The caddies gathered downfield about two hundred yards, but Lord Brabazon dribbled one off the tee, and the caddies had to race in well over half way. It was an embarrassing moment. At the great banquet that night, Lord Brabazon announced that he had hit the grounder on purpose as an encouragement to all bad golfers, and then he added, after a few moments of dreadful silence, "If you believe that, you'll believe anything."

    Lord Brabazon had a most simple and direct ethic: whatever you enjoy, you have an obligation to make better, if you can. He served tirelessly on many committees that were established by the R. & A., the governing body of golf. It was perhaps through his committee work that he got to know Bernard Darwin. He played golf with Darwin, which was somewhat like working for Churchill - an often terrifying experience. "I once played for the Oxford and Cambridge Golfing Society and Bernard was our Captain. He did me the great honour of letting me play first, and I played with him in the foursomes. It was a lovely day; we had the pleasantest of opponents; the birds were singing; the course was beautiful; and the whole thing was pure and utter joy. We were not doing so well and, about six holes from the end, I put Bernard in the rough. He beckoned me to follow him, and I got the most appalling dressing down I have ever had. He told me kindly to remember that we were playing for the Oxford and Cambridge Society, and that this was not a `jolly' but a very serious match, and would I please concentrate on it and not make silly remarks or fool around. . . that was Bernard all over. He never played a match in his life that wasn't as much to him as if he were playing in the Walker Cup."

    In reflecting on his life, Lord Brabazon had this to say, "When I look back and try to decide out of what I got the most actual pleasure, I have no doubt that I got more out of golf than anything else." His essay, THE FUTURE OF THE GAME, is one of the most important ever written about the game of golf. We need him today. Many of us suspect that golf is changing and not changing for the better, but we cannot think about it as clearly as Lord Brabazon did or as Bernard Darwin did, for they were ones of a kind. How nice it is to have them together in one volume.

    Foreword by Herbert Warren Wind and Sir George Cunningham

  • By Johnny Miller Superb instruction and piquant commentary from one of the most articulate premier players. As beautiful as it is useful, the book is printed on fine stock and profusely illustrated with original golf watercolors by Matthew Cook. Includes humorous essays by the likes of George Plimpton, David Owen, Charles McGrath, Glen Waggoner and Ian Frazier.
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    By Bernard Darwin The most prolific golf writer and high amateur, Darwin explains the multiple and enduring pleasures of golf in his own words and through writings culled from his favorite books on the game. You cannot possibly have a better guide. Foreword by Ian Dunlop.
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    By Bernard Darwin Golfing By-Paths, long out of print and little known in the U.S., is a collection of 58 essays written by the great British golf writer between 1939 and 1945. “In these essays you can see Darwin endeavoring to keep the flame of golf alive amidst the privations of war,” says Classics of Golf Publisher Michael P. Beckerich. “He falls back on his memories of golf as a pillar English social life, the club as a haven, and allows himself some hope that these pleasures will not be totally lost.”  This book showcases the amazing talent of Darwin's gift of writing. Foreword by Michael P. Beckerich.
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    By Bernard Darwin The first of three autobiographies by the greatest golf writer of all time. This book is widely considered one of Darwin's best efforts which means it is one of the best golf books ever written. Indispensable for any golf library. Forewords by Bill Scheft and John Hopkins, golf correspondent for the London Times.
  • By Horace Hutchinson Foreword by Herb Wind, Afterword by Jack Nicklaus This is a seminal book in the library of golf, being the first mass-produced book of instruction. In spite of its diminutive size, Hints on the Game of Golf was such a revelation to the uninitiated and aspiring players that it was an immediate success. Nor was the success short-lived, as the book was in print for 20 years through 14 printings. This is the author’s first work and a watershed volume in golf literature. The attraction of this century old book is not the technical instruction; the long nose clubs of that era required a much different swing than we need with today’s modern equipment. Its fascination is that Hutchinson saw the need for such a book and that the result is engaging still today. This is not a dry, club-by-club instructional like so many modern offerings. Spirited and informal, it is part description, part admonishment, part scientific treatise, and part recitation of the truisms from the ancient game. Hutchinson actually cites himself as having often said golf could not be taught successfully through a book, but he explains his reversal in the introduction. Hutchinson wrote this book partly out of frustration at seeing men playing golf “in a style in which it is physically, anatomically, mathematically, from very conceivable point of view, impossible for a human being, made on any known plan, to strike the ball correctly.” This is another 'must have' book.
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    By Tommy Armour There are several reasons why Tommy Armour’s book was an instant best seller when released, none of which have altered over time. Armour is straightforward, almost in-your-face, from the very beginning. “Understand that this is not a book about a soft way to great golf. This book is, frankly a textbook and as such requires intelligent study if the reader is going to pass the examination on the golf course.” While this sounds like heavy work, it is not. There is no confusing clutter of extraneous or conflicting instruction. This “textbook” is more like a schoolboy’s dream. The book is relatively short, uses a large typeface, has numerous space-consuming illustrations and is discerningly written in a lucid style. Foreword by Herb Wind, Afterword by Herb Graffis  
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    By Bernard Darwin The story of one of the Triumvirate who, at the turn of the century, along with Taylor and Vardon, elevated the game from a Scottish curiosity to a level of unimaginable popularity. Foreword by Bernard Darwin.
  • By Percy Boomer "This is not a book," wrote Percy Boomer, "on the science of golf, but about learning it. Everything in the science of the game has been written, little on how to learn it. So I outline a method of learning and stress certain points about the golf swing." Boomer teaches you how the correct golf swing feels in all its component parts. Once you know how it feels you can train your body to duplicate that feel and you can accept or reject advice from anyone on the basis of its feel. The idea is to find the way to take the cerebral cortex, so to speak, out of the swing and to make it a part of our instinctual life.    
  • By Sir Walter G. Simpson Written by a Captain of The Honourable Company of Edinburgh Golfers, these early instructions to both beginners and experienced players included the first use of golf photography. Foreword by Herbert Warren Wind, Afterword by Bobby Burnet.
  • It is difficult to overstate the importance of The Game of Golf; a book of instruction far beyond its time in many ways. Preface by Archie Baird, Foreword by Robert S. Macdonald.
  • By Bernard Darwin A collection of Bernard Darwin's best articles from The American Golfer magazine, 1922-1936. Foreword by Herbert Warren Wind.
  • By Dick Aultman and Ken Bowden

    This is a puzzling book to categorize. While not exactly a book of instruction, you will learn more about the golf swing digesting Ken Bowden and Dick Aultman’s The Methods of Golf’s Masters than you will at the practice tee. It is a unique blend of astute analysis and historical exactitude, probing the origins and evolution of the modern swing, using 16-famous players, each emblematic of a particular nuance of style, for demonstrative purposes. The authors also have an exciting new premise: “A recurring theme in this book is the influence the master golfer’s personalities have had on their playing methods.” It is a curious viewpoint that can ultimately assist us in our own development. The authors’ theory is that the most influential factor determining both a golfer’s swing and his style of play is his temperament and that forcing technique outside of a natural comfort zone can only end in disaster. That personality should be so dominant a component is surprising, but the evidence they present is convincing.  
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    By Bobby Jones

    The verisimilitude and tactility of Ravielli’s drawings are as magnificent here as they were in Hogan’s “Fundamentals.” In his text, Jones carefully emphasizes “the proper order of movement…If [the book] succeeds in its purpose,” he added in his foreword, “such success will be due to the eloquence of Tony’s art.”  Bobby Jones, humble as always. This book is a wonderful instruction book and continues to give insight as one of the top golf instruction books.  A must have. Foreword by Herbert Warren Wind, Afterword by Charles Yates.

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